Some News – I Am Writing A Book!

Interim book cover for Friday Night Chicken by Aaron Vallance

 

If you’ve been following my blog for a while, you may have noticed that my posts have slowed up somewhat. But I haven’t hung up my pen (or my typing fingers). In fact, far from it. Instead, I have been beavering away on my laptop, devoting more energy to writing than ever before. That’s because… I am writing a book!

‘Friday Night Chicken’ is a personal story, with themes close to my heart – a coming-of-age food memoir set in North Manchester’s Jewish community, told through the eyes of my food-loving childhood self. Here my world was steeped in chopped herring and chicken soup, challah and bagels; my Grandma spooning out crisp baubles of gefilte fish from the deep-pan fryer. It is both an intimate portrait of family life, where food is connection and devotion, and a wider lens to explore themes of immigration and identity, religion and ritual.

It’s still in its early stages, and isn’t due out until April 2027. However, the book was recently shortlisted for this year’s Jane Grigson Trust Award (for books in development by first-time food book writers), which has resulted in a bit of a reveal. It is a recognition I am very honoured to receive, not least as it’s a prodigious award and features a panel of judges whose writing I really admire.

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Article in Pit Magazine

 

I realise it’s been a while since my last blog post… but that’s only because I’ve been focusing on two other food writing projects, both of which I’m really excited about! One I’ll talk about another time. The other is a piece I recently wrote for the wonderful Pit Magazine, and its latest edition on the sandwich.

It was such an honour to contribute to this award-winning publication, especially as Pit looks at food as a lens to so many other things – cultural, sociological, political, economical – whilst also celebrating the real joy and connection that food can bring. So if you’d like to read about Palestinian arayes, Puerto Rican bodegas, Hong Kong western toasties, Wigan pie barns, Xi’an roujiamos and the humble tuna melt – plus my own piece of family memoir about the Passover matzah sandwich – then please order your copy here.

A huge thanks to editor Helen Graves for commissioning the piece, and to Holly Catford for her help with collating all the photos and images.

Hope you enjoy!

 

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Many Lives at the Home Community Café

Home Community Cafe sign outside St Andrew's Church in Earlsfield

 

By the side of the road, in amongst the shops and the bars, stands a church. It is a grand building in the Victorian Gothic style, built in the late 19th century, soon after the railway brought development to what used to be little more than sparse open fields. A century earlier, these fields were renown for decades for hosting the infamous “Garrat Elections” – a raucous spectacle timed to coincide with general elections, where spoof candidates would pillory politicians through skits and speeches. At its height it attracted 80,000 visitors, much to the delight of local publicans (including that of The Leather Bottle, still in operation today).

When the railway arrived, the new station was named after a local house – Earlsfield – which had been demolished to accommodate the line; the owners had insisted the name be kept on as condition of the sale. With the station to the north and the newly built church to the south, the area expanded rapidly, transforming from a sleepy Surrey village to a thriving London suburb in a blink of an eye, largely stocked with terraced housing for working class families. Meanwhile the area picked up its name from the station – rather than vice versa – and it has been known as Earlsfield ever since.

Where once the church sat on a countryside lane, now it finds itself on a bustling high street. Where once it was the preserve of Sunday morning worshippers, now its doors are open throughout the week. Open in the widest sense, for this building is a place for anyone and everyone; a space that transcends the religious and the secular, the young and the old, this community or that. Under its towering vaults and arches, people come to gather and connect, in the same ways people have for millennia: through conversation, art, music and food…

 

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Jerk Stories: Salt and Spices, Smoke and Wood

 

Jamaica; 10 million years ago

 

Wood and water, water and wood.

Rain falls. Seeds sow.


Wood and water, water and wood.

Tendrils sprawl. Currents flow. 


Wood and water, water and wood.

Rivers roar. Branches grow.


Wood and water, water and wood.

Trees soar. Clouds roll.


Wood and water, water and wood.

Rain falls. Seeds sow.

 

…and now the forest is born. Roots digging deep over limestone karst. Burrowing. Delving. Trees holding firm against frenetic storms. They bow, they sway. Yet steadfast they remain.

In swamp stillness, drizzle hangs in the air like a levitating sea. The mist settles on heart-shaped leaves and over great pools of water; ripples glisten in the morning light. On a floating log, a dragonfly settles, antennae twitching, wings still. All around, towering trunks plunge into the murky depths, where behemoth fish weave between swaying ferns, a shifting kaleidoscope of green.

The trees thirst: mighty giants that glug and grow, racing to the heavens with canopies that unfurl to salute prehistoric skies, capturing cosmic rays from distant suns, chemistry bubbling away in chloroplast cauldrons. Light turns to matter.

And now the forest is ready. Sustainer of life. Provider of food. Guardian, protector. But first it waits: waits for the first canoe, the first fire, the first smoke. This place, this land, this Xaymaca – the land of wood and water.

 

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Timeless Pleasures at Paul Rothe & Son

Paul Rothe & Son sandwich counter chalkboard menu full of different types of fillings

 

A scrawled blackboard menu usually signifies a food offering that’s in constant flux, a snapshot of the moment – miss it and it may be gone forever. At Paul Rothe & Son however, whose expansive blackboard menu sails over the sandwich counter like a celebratory birthday banner, it indicates a place that’s indefatigably old-school, where nothing really changes, a steadfast bulwark against the whims and fads of modern city life. For this place has been around since 1900, handed down the generations like a treasured family heirloom.

Stepping through the chocolate box frontage, and you’re stepping back in time, into an Aladdin’s cave of condiments, a magical place of heaving shelves and shimmering jars. The counter is lined with bowl after bowl of pâté and pickles, mixes and fillers, home-roasted meats and deli delights – all ready to be layered between slices of bread or the embrace of a bun. Or, if you’re feeling particularly exotic: a ciabatta.

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